You can’t help but fall in love with Andrei Tarkovsky’s dark and frightening world established in ‘Stalker’ (1979), whether you call it metaphorical, mysterious, or deeply meditative. ‘Synecdoche, New York’ is intensely cerebral and often shocking it is a celebration of everything an artist aspires to be, but it is ultimately a tragedy, showing the flip-side of artistic ambition, where the real meets the unreal, plunging the artistic mind into the dark depths of uncertainty and depression. It is not something that must be comprehended rather, films like this must be noticed, felt, and commented upon. ‘Synecdoche, New York’ is a film that is tough to watch, let alone stomach. You’ll never look at the song “California Dreamin'” the same way.
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At the end of Chungking Express, I wept through grins, and I’m sure you will as well. Wai’s ability to make fantastic films with minimal screenplays never ceases to surprise. With each sight, you’ll get a little closer to Hong Kong. Chungking Express, too, will make you pat yourself on the back for acting the way you did when you were in love and will bring back nostalgic memories. Her is a film that has a special place in people’s hearts because of how it makes them feel about love and human ties. It’s still a lot of fun to watch them fail and get back up. Every character in the film is deeply flawed and a pawn in the grand love game. So much so that you may be eating jars of pineapple for a month and then fall in love with a woman wearing a blonde wig the next day. Love and heartfelt issues are exceedingly complicated. It only takes a second to fall in love, but it might take years, if not lifetimes, to recover from a breakup.
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When was the last time Wong Kar Wai made a film that wasn’t stunningly elegant and heartbreakingly human? Chungking Express enthralled me with its profound knowledge of human nature and the vulnerability of human hearts.